Who released her album when we all fall asleep, where do we go? in year 2019

631 Since Billie Eilish’s first hit single, “idontwannabeyouanymore,” came out in the summer of 2017, her debut album has been highly anticipated. After dropping the first single for the album, “when the party’s over,” Eilish released “WHEN WE ALL FALL ASLEEP, WHERE DO WE GO?” a year and five months later on March 29. When I listened to the two singles that were dropped before the album, I was immediately confident that I was going to enjoy this album, and I was not disappointed. The first track on the album is not a song, but rather a 14 second audio track of Eilish having a conversation where she takes out her Invisalign aligners and jokes about it. This does not seem to have any relevance to the rest of the album, but it added a creative and sort of weird element to the album, showing how unique she is compared to other artists in her genre. The actual musical aspect of the album starts with the second track, “bad guy,” which combines techno beats with high bass. This is one of the many songs on the album where Eilish herself is faint in the background, almost as if her voice revolves around the instrumentals rather than the opposite.The actual music is a dominant element of the songs, telling a story more with the music rather than the lyrics. Eilish uses the same uncommon beats, including beats that have a heavy bass and a lot of “techno” sounds, throughout the album that she did in her debut single, and this is what provides the foundation for the album. Many songs o...

On her big-league debut, Billie Eilish makes a bold entrance into the mainstream, leaving the fringes behind to embrace her role as an anti-pop star for the disaffected Gen Z masses. With a youthful, hybrid blend that incorporates elements of indie electronic, pop, and hip-hop (assisted by brother From the opening line of hilarious opener "!!!!!!!," Eilish makes it clear that she is just like you, the listener, goofing off in the studio with her brother while she's supposed to be recording her major-label debut. As endearing as it is obnoxious, the track sets the tone and, from there, the album is a thrill. Bouncing from infectious dance-pop highs to tender, restrained lows, Eilish manages effortless cohesion, even within the span of a single song. "Bad Guy" throbs like the cavernous echo heard outside the club, sparking to life with a K-pop brightness before descending with a bellowing trap drop, while "All the Good Girls Go to Hell" rides a playful bass strum that manages to pull some G-funk effects into its orbit. The meme-worthy "My Strange Addiction" makes the inspired choice to interpolate dialogue from the "Threat Level Midnight" episode of The Office (which had already wrapped its entire televised run before Eilish even turned 12), all while managing to be one of the sleekest standouts on the album. Other highlights include the hypnotic minimalist single "Bury a Friend," an unnerving nightmare that is as disturbing as it is addictive; the twisted funhouse electro-p...